──易善穠博士中華古文物藝術研究室──

Dr. Yie's Study Room for Fine Chinese Antique Arts

故宮別苑/國之重寶

Collections Complementing to Palace Museum/

National Treasure　

少見的幾何對稱―雍正精品瓷 /

Scarce Quin Porcelain with A Symmetrical Pattern

（請尊重智慧財產權 2006/6/15）

Abstract

Nevertheless people focus their eyes on Uin blue flower, these porcelains were exported ones, their quantity is very large, not extra special. Generally they have the same style pattern such as generating stories, cross flower, birds, fishes, straw, etc. These styles would be kept at the the last of Ming dynasty if Long-Su-Ling had not been China. The new pattern with a symmetry carried by him in addition to his west painting technology, color glaze material. Here one is shown.  You can find the beauty of the activity of eight fishes symmetrically distributed on a dish.

        當眾人的目光集中在『鬼古下山』的青花瓷時，不管這瓷有多精細，以類似故事為主軸的元瓷畫，比比皆示，以纒枝花卉、魚藻為題材的青花釉里紅，在明代瓷器中更是一籮筐，康熙雍正乾隆比較長進，但瓷繪仍脫離不了寫景寫意的花鳥人物虫魚。

        若不世郎世寧的出現，清初三聖的瓷器或許仍停留在明崇禎末期的寫造，郎世寧帶來的不是只有新的畫風、新的釉料，幾他也帶來了何對稱的美，對稱的工筆難度遠較一般寫景高多了，下圖為極少見落款雍正的翻江紅鯉的黃地白底盤，你可以發現鯉魚的跳躍，活龍活現，而對稱的曲度，眞的是太美了。