──易善穠博士中華古文物藝術研究室──

Dr. Yie's Study Room for Fine Chinese Antique Arts

故宮別苑/國之重寶

Collections Complementing to Palace Museum/

National Treasure　

中華古文物藝術探微

兼論以科學方法鑑偽  

Details of Fine Chinese Antique Arts, The  Identification by Scientific Method

易善穠博士  

  黎明文化公司出版   定價NT320元

http://www.limingco.com.tw 

電話：02-23314046　　02-23116829　　02-23311770

本研究室售價：每本NT270元，十本以上8折，郵資另計

電：0920664650

　Abstract

This book written uses the unpublished fine Chinese antiques. Its container includes cultures from Xia dynasty (5000BC)  to Qing dynasty (1911). Material has jades of  dragon-shape in each dynasty, bronze swords coating gold from war era, Chinese pen writing on pen-containers, Chuin-long porcelains, Xhang Da-Chain fine paintings, etc. Here are deep discussions. 

第一章 從出土玉器探究夏文化與

紅山文化 (BC~3000)

第二章 瓏之舞(BC1000~1900)  

第三章 商傳國玉璽與周玉琮古詩探析―兼論玉器價值與科學鑑定方法

(BC1000~400)

第四章 四大天王筆筒  

(BC1000~1700)

第五章 玉硯風流  

(BC2000~1300)

第六章 金劍已沉埋？論先秦青銅劍與鎏金劍─兼論科學鑑定方法  

(BC500~BC220)

第七章 大唐玉鎏金藝術  

(600~900)

(1) The style you see at the photo is similar to the three colors pottery horse of Tang, including the plate beneath the foots, the equipment, the short tail. The colors with silver-gold (white-yellow) was popular at Tang you can find at Tang literature, and journal also reported the analogous artifact such as Taipei Palace museum publication. These horses were located at the Tang palace park for empirer playing.
(2)The horse weight is lighter than metal, it is made of jade. So it must have a plate fixer to avoid an accident impact which will destroy legs. The three colors pottery horse also has, with the same reason. The plate surface does not have a metal solidification thrinking.
(3) The two colors of silver-gold coating are made by painting. Because the melting metals with high temperature will destroy the jade similar to the boiling water pouring on a cold glass, this painting work must be done at a room temperature. In modern metallurgy, mercury may dissolve any metal to be a liquid alloy. This method is applied to extract pure metal. Its vaporization temperature is about 230 C degree. Gold and silver dissolved in mercury to cosmetise an artifact by painting which has been found before Chou dynasty. After painting, the artifact was heated to the temperature small higher than the mercury vapor-liquid point, the mercury will go out, gold-silver painting film is remained and sintered. The jade is easily broken after this heat treatment. This technique became skillful in Tang. In Han, it just has cosmic rim and is easily pilled out.
(4)The mercury vapor is toxic to human. So it is not inherited by workers owing to they were died by toxic and by war. This artifact has not been found after Tang. Even now, the toxic mercury still is harmful for one's body, no one will produce goods as the horses.
(5) The plate bottom is seen of dirt of chemical reaction and physical diffusion which were made by nature. Both are never copied by modern techniques. (published at Asian Art Forum, 13 Oct., 2005)

第八章  從犀角雕看生態保育

(1300~1800)  

第九章 夜明珠發光原理與科學鑑定

(1300~1880)

第十章 乾隆瓷精品欣賞與科學鑑瓷方法  

(1736~1795)

  第十一章 張大千的仕女圖欣賞與科學鑑畫方法 (1930~1950)  

第十二章  幾件特殊的文化珍品

(BC400~1380)

To make modern one like the turtle shell as picture shown (size about 50cm), you must see a Nothern China land turtle large as 1 meter at first. Then you say:" Hold! turtle, you are under arrest, raise up your hands!", followed kill it, pill it out from its shell, make a turtle soup, a turtle dinner, and fire its shell to dry out the moisture, pit shell surface like nature doing, cometisize with a black dirt as that age, thread gold words as that dynasty. When all has been done, it is OK. You may chat: "God bless to have a good customer to get a good price." You may wait for this chance. But the questions deeply bothering me is where to catch a land turtle as large as 1 meter, and where a person can be found, who knows those words and may write the context as the shell's. Do you know? (If you know, please raise up you hands.) Thanks. (published at Asian Art Forum, 20 Oct., 2005)

本 書 大 意

~~~我倉忙地離去，如同我倉忙地來，

      我問一問自己，能留下怎樣的雲彩~~~ 

一、本書撰寫之原因如上述。

二、本書特色：

 ◎故宮博物院無法收到的珍品   ◎拍賣市場所見不到的精品

 ◎別本書未有的古物文化探究   ◎獨家科學鑑定原理與技術

三、本書目的：

◎    彰顯研究成果  ◎欣賞古人創作

◎    教授收藏方式  ◎介紹辨偽科學 

四、本書範圍：

◎    縱的連貫：從夏文化以迄民初張大千

◎    橫的涵蓋：從玉石器、劍器、玉鎏金、瓷器、雜項、以迄書畫

五、本書撰寫：微觀的方式作為撰述的技巧，以寫博士論文精神，彰顯每一篇其特殊的主題包含科學鑑定方法，所引用資料皆附出處。

六、本書內容：

（一）                從出土器探究夏文化與紅山文化，玉器50件。以出土玉器證明夏文化與紅山文化之間關連，並探究夏民族風俗習尚。

（二）                瓏之舞，玉器38件。以出土玉器說明中國龍之真正意義，並陳述各朝代龍之演變及原因。

（三）                商傳國玉璽與周玉琮古詩探析―兼論玉器價值與科學鑑定方法，玉器5件。以出土玉器說明秦始皇傳國玉璽文字可能並非李斯獨創，而詩經與漢古詩之間的文化空窗是否有詩的存在，以周玉琮所留詩給予說明。

（四）                四大天王筆筒，筆筒4件、玉器2件。介紹以玉材、瓷器、蜜蠟、竹雕四種商前、元趙孟頫、清康熙、乾隆所留題字筆筒。

（五）                玉硯風流，玉硯6件、玉筆3件。介紹不同朝代王室用墨盤及宋玉筆。

（六）                金劍已沉埋？論先秦青銅劍與鎏金劍─兼論科學鑑定方法，青銅劍4隻、鎏金劍13隻。探究先秦青銅劍製造方法與不鏽原因，並析賞鎏金劍工藝與技術。

（七）                大唐玉鎏金藝術，玉鎏金器3對另1件。介紹唐代空前絕後的玉鎏金技術。

（八）                從犀角雕看生態保育，犀象玉器2件、牙角雕4件。探究中國犀象消失原因。

（九）                夜明珠發光原理與科學鑑定，夜明珠6件。介紹淤夜明珠發光原理與科學鑑定方法。

（十）                乾隆瓷析賞與科學鑑瓷方法，乾隆瓷10件。介紹十件不同風格與工藝之乾隆瓷精品，並介紹科學鑑瓷方法。

（十一）        張大千的仕女圖欣賞與科學鑑畫方法，張大千仕女圖6件、林風眠仕女圖1件。介紹畫能傳世原因及科學鑑畫方法，並說明張大千之所以成名與其所繪仕女圖欣賞。

（十二）        幾件特殊的文化珍品，共6件。介紹六件世上少見珍品。

                                 易善穠

於2004年12月